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A worker in a big city who feels uncomfortable around women meets a sex worker, and in an attempt to overcome his hesitations, he discovers his sexuality.

The creative life and revolt of a revolutionary poet from the NY Underground goes after the dehumanising duo of algorithm and the Image-Reality.

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A “Cinéma, de notre temps” series episode directed by french filmmaker Philippe-Emmanuel Sorlin, originally aired 16 June 2015.

Labarthe was very much in the orbit of the French New Wave—he appears as an actor in Godard’s My Life to Live—and his collaborator, Janine Bazin, was the widow of film theorist and Cahiers du cinéma co-founder André Bazin. Yet by 1964, five years after the explosion of the movement onto French and international screens, doubts about the true impact of the New Wave had emerged. Labarthe and Bazin assembled an intriguing round-table made up of Cinématheque Française director Henri Langlois, and filmmakers Alexandre Astruc, Pierre Kast and Agnès Varda to discuss the past, present and future of the movement.

Made for Cinéastes de notre temps series. In 1964, several French New Wave auteurs discuss the success and crisis of the wave. Featuring Claude Chabrol, François Truffaut, Jacques Rivette, Jean-Luc Godard, Jacques Rozier, Jacques Demy, Agnès Varda, Jean Rouch, and many others.

Two couples, Eva and Edy and Martin and Charlotte are separated by a very different social condition. The first are rich bourgeois, the second are workers.

This romantic fairy tale is based on a story by German writer Theodor Storm. It tells the story of two young children, Kristian and Elke, who, thanks to their bravery and honesty, manage to overcome the Fire Lord, the evil Iris, to free the Rain Fairy and save the whole Earth from drought and thirst.

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